From October 7 Hilma Af Klint will gloriously return to the Kunstmuseum in The Hague. In 1986, now 37 years ago, Af Klint rose to international fame as the discovery of the century in the American travelling exhibition The Spiritual in Art: Abstract Painting 1895-1985, of which The Hague was the last venue. In 2018, Af Klint’s international acclaim as the pioneer of Swedish abstract art was sealed at the Guggenheim Museum. Af Klint’s work has acquired cultish dimensions. People swoon before her work. Researchers and critics regard themselves as channeled by the artist.
So, nothing wrong with this new exhibition, is there? False: everything is wrong about this exhibition. Literally everything.
